For them such as are interested...
I've done up a rather nice Flikr site. Not only does it have a wider selection of pictures from Henry V, but also has all the pictures worth looking at from my vacation in Vermont, as promised. There are even a few other random pictures culled from the computer hard drive. They're all
In case you're curious, the random photos are: where I work (the Time Warner building in mid-town Manhattan), my place (in the sun), across the street (in a big snow), the Bronx Zoo tigers and Sebastian, the Hound of Rock.
I've had the past two days in a row off, which is virtually unheard of. How have I spent it? Creating he above-mentioned Flikr site, trying unsuccessfully to turn a nice little paper on William Davenant's life into a better Wikipedia article, and a nerdy run downtown to the Strand, Forbidden Planet, the Virgin Megastore and Jim Hanley's Universe. This netted me a New Mermaids copy of Kyd's Spanish Tragedy from the Strand and The Resurrection Casket and this month's copy of Doctor Who Magazine from Jim Hanley's Universe. You see where my priorities lie.
The last two were in lieu of the hardback version of Target's novelization of Inferno that was on sale for $20 and worth about twice as much: Que sera, sera. I had seen it a week ago, but decided I'd only dish out that much cast if it were there today, when it would become clear I was destined for it. As I'm not, I'll revel in the fact I own pristine copies of The Dying Days, Lungbarrow and Cold Fusion. Don't worry: if none of the past paragraph is intelligible to you, it merely means you have a life and can't be arsed with the minutiae of Doctor Who fandom. Good on you.
Nevetheless, the seasan finale of the new Doctor Who is tomorrow night, when Rose Tyler is to die, in and amongst the fan-wanking spree of combined Cybermen/Dalek alliance. I can't lie: it's got me harder than Ayor's Team Training,* if only for knowing that Russell T Davies has had then same idea as me floating around in his head since 1985 or so.
In other news, when some guy and I went to go see the film Superman Returns (or, Can Someone Named B. J. Routh Be Anything Other Than Corn-Fed Iowa Porn-Star Goodness?), there was a trailor (trailer? I'm never sure about such things) for a film called Flyboys.
I was lucky enough last year to take a Theatre and War class with Erika Munk, a writer for the Village Voice, a professor and Yale and editor of Theater whose done (and edited) really top-notch work on war and its representation. It was Awful, and it's worth noting that positive representations of it are rare as hen's teeth -- with reason. I was disturbed to see the preview for the film (to be fair, perhaps not the entire film) to be gung-ho for the War. There is nothing in World War One to be romanticized or celebrated. I can't help feeling this film desecrates the deaths of the millions of soldiers who died.
If you disagree, nose around this site, which contains music, film footage and diary material from the war. It's compelling, and fascinating and horrifying. I love the music and audio selections, but even they can be dismaying -- look at this , or this , this. It certainly counters the charms of K-K-K-Katy or Take Me Back to Dear Old Blighty or Keep the Home Fires Burning.
In other news, I finished reading Coriolanus today. More of that later.
*Oh honestly, with that name, if you expected this to be a link to anything other than gay porn, you need more help than I can give. Besides, it's /really/ good porn.